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MIT Media Lab Responsive Environments Group

AAAI 2000 Spring Symposium on Adaptive User Interfaces, technical report at: http://www.isle.org/~aui/papers/, Spring Symposium webpage at: http://www.aaai.org/Symposia/Spring/2000/


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Anthes, Joshua. Unique considerations for data radio UARTS.



Bailey, Derek. website: http://www.shef.ac.uk/misc/rec/ps/efi/mbailey.html


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Benbasat, Ari.  "An Inertial Measurement Unit for User Interfaces,"

Masters of science thesis.  MIT Media Lab, 2000.


Benbasat, A.Y., Morris, S.J, and Paradiso, J.A. "A Wireless Modular Sensor Architecture and its Application in On-Shoe Gait Analysis". In Proceedings of the 2003 IEEE International Conference on Sensors. Volume 2, pp 1086-1091. 2003


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Blumberg, Bruce et al. “Integrated Learning for Interactive Synthetic Characters”. In Proceedings of ACM SIGGRAPH. 2002.


Boulanger, R., and Matthews, M. “The 1997 Mathews Radio-Baton & Improvisation Modes”. From the Proceedings of the 1997 International Computer Music Conference.  Thessaloniki Greece. 1997


Bowler, I., A. Purvis, P. Manning, and N. Bailey. 1990. "On Mapping N Articulation onto M Synthesiser-Control Parameters." In Proceedings of the 1990 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 181-184.


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Chadabe, Joel. “Devices I Have Known and Loved”. In Trends in Gestural Control of Music. M.M. Wanderley and M. Mattier, eds. Ircam – Centre Pompidou. 2000


Clynes, Manfred.  Sentics:  the Touch of the Emotions.  New York: Doubleday and Company, 1977.


Cont, A., Coduys, T., and Henry, C. “Real-time Gesture Mapping in Pd Environment using Neural Networks”. In the proceedings of the International Conference on New Interfaces for Musical Expression. Hamamatsu 2004.


Cook, P., “Remutualizing the Instrument: Co-Design of Synthesis Algorithms and Controllers.” In Proceedings of the Stockholm Music and Acoustics Conference (SMAC). Stockholm, Sweden. 2003


Cope, David, "Pattern Matching as an Engine for the Computer Simulation of Musical Style". In Proceedings of the 1990 International Computer Music Conference. San Francisco: Computer Music Association. 1990


Dubnov, S., Assayag, G., Lartillot, O., and Bejerano, G. Using Machine-Learning Methods for Musical Style Modeling. In IEEE Computer, Volume 36, Issue 10. October 2003


Duda, Richard O., Hart, Peter E., Stork, David G., Pattern Classification (2nd Edition). Wiley-Interscience. 2000


Eslambolchilar, P., Crossan, A., and Murray-Smith, R. “Model-based Target Sonification on Mobile Devices”. In the Proceedings of the International Workshop on Interactive Sonification. Bielefeld. 2004


Fels, S. and Hinton, G., “Glove-TalkII: An Adaptive Gesture-to-Formant Interface”, In Proceedings of Computer Human Interaction 1995 (SIGCHI95), pp. 456--463, May 7-11, Denver, CO. 1995


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Gadd, A., and Fels, S. MetaMuse: Metaphors for Expressive Instruments. In Proceedings of the International Conference on New Interfaces for Musical Expression. Dublin 2002.


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Garnett, G., and C. Goudeseune, "Performance Factors in Control of High-Dimensional Spaces". In Proceedings of the 1999 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 268 - 271. 1999


Garton, Brad, "The Elthar Program", Perspectives of New Music. Vol 27. No. 1 1989.


Goudeseune, Camille. Composing with Parameters for Synthetic Instruments. Dissertation, University of Illinois at Urbana-Champaign. 2001.


Hunt, A., and R. Kirk. "Mapping Strategies for Musical Performance." In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Ircam - Centre Pompidou. 2000


Hunt, A., M. Wanderley, and R. Kirk. "Towards a Model for Instrumental Mapping in Expert Musical Interaction." In Proceedings of the 2000 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 209-212. 2000


Hunt, A., Wanderly, M. and Paradis, M.  "The Importance of Parameter Mapping in Electronic Instrument Design."  In New Interfaces for Musical Expression proceedings.  Dublin, 2002.


Illposed Software webpage, online at: http://www.mat.ucsb.edu/~c.ramakr/illposed/


Ishii, H., Wineski, C., Orbanes, J., Chun, B., and Paradiso, J. “PingPongPlus: Design of an Athletic-Tangible Interface for Computer-Supported Cooperative Play.” In the proceedings of the Conference on Human Factors in Computing Systems. 1999


Ishii, Hiroshi. “The Last Farewell - Traces of Physical Presence.” In Interactions, volume v.4. 1998


Ivanov, Y. State Discovery for Autonomous Learning. PhD Thesis. Massachusetts Institute of Technology. 2002


Joystick Review website: http://www.joystickreview.com/microsoft/sidewinderfreestylepro.asp


Kaelbling, L. Learning in Embedded Systems. PhD Thesis, Stanford University 1990


Koza, J., Bennett, F., Andre, D., and Keane, M. Genetic Programming III: Darwinian Invention and Problem Solving. Morgan Kaufmann. 1999


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Langley, P. (1997). “Machine learning for adaptive user interfaces”. In Proceedings of the 21st German Annual Conference on Artificial Intelligence (pp. 53-62). Freiburg, Germany: Springer.


Lee, M., A. Freed, and D. Wessel. 1991. "Real-Time Neural Network Processing of Gestural and Acoustic Signals." In Proceedings of the 1991 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 277-280.


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Mandelis, J., “Genophone: An Evolutionary Approach to Sound Synthesis and Performance,” Proceedings ALMMA 2001: Artificial Life Models for Musical Applications Workshop, Prague, Czech Republic: Editoriale Bios, pp. 37-50, 2001.


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Marrin, T. Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton. MS Thesis. MIT. 1996


Marrin, T. and Paradiso, J.  "The Digital Baton: a Versatile Performance Instrument."  International Computer Music Conference Proceedings.  Thessaloniki, Greece, 1997.


Marrin, T. and Picard, R.  "The Conductors Jacket:  a Testbed for Research on Gestural and Affective Expression."  Presented at the XII Colloquium for Musical Informatics, in Gorizia, Italy, September 1998.


Mitchell, T., Machine Learning. McGraw Hill, 1997


Modler, P., Myatt, T., and Saup, M. “An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime”. New Interfaces for

Musical Expression proceedings.  Montreal, 2003.

Modler, P. 2000. "Neural Networks for Mapping Gestures to Sound Synthesis." In M. Wanderley and M. Battier, eds. Trends in Gestural Control of Music. Ircam - Centre Pompidou.

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Ostertag, Bob. “Human Bodies, Computer Music”. In Leonardo Music Journal. Journal 12. 2002.


O’Modhrain, Sile. Playing by Feel: Incorporating Haptic Feedback into Computer-Based Musical Instruments. PhD Dissertation. Stanford University. 2000


Pachet, Francois, “The Continuator: Musical Interaction with Style”, In ICMA, editor, Proceedings of ICMC, pages 211-218, September 2002. ICMA.


Paradiso, Joseph A., “The Brain Opera Technology: New Instruments and Gestural Sensors for Musical Interaction and Performance”, Journal of New Music Research. Vol 28. No 2 (June) 1999.


Paradiso, J., and Gershenfeld, N. “Musical Applications of Electric Field Sensing”. In Computer Music Journal 21(2) Summer, pp. 69-89. 1997.


Paradiso, J., Hsiao, K., Benbasat, A., and Teegarden, Z.  "Design and Implementation of Expressive Footwear." IBM Systems Journal, Volume 39, Nos. 3 & 4, October 2000, pp. 511-529


Pavlović, V., and Rehg, J. “Impact of dynamic model learning on classification of human motion”. In IEEE Conference on Computer Vision and Pattern Recognition, pages 788-795, Hilton Head, SC. 2000.


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Rovan, J., M. Wanderley, S. Dubnov, and P. Depalle. "Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance." Kansei, The Technology of Emotion.Proceedings of the AIMI International Workshop, A. Camurri, ed. Genoa: Associazione di Informatica Musicale Italiana, pp. 68-73. 1997

Sachs, Curt Reallexicon der Musikinstrumente (1913)


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Sarlo, Joseph. http://crca.ucsd.edu/~jsarlo/pd/

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Schoner, B. Cooper, C. and Gershenfeld, N. "Cluster-Weighted Sampling for Synthesis and Cross-Synthesis of Violin Family Instruments," In Journal of New Music Research. 1999.


Smith, Joshua. Electric Field Imaging. PhD Thesis, MIT Media Lab. 1999


Stack webpage, online at: http://www.media.mit.edu/resenv/Stack/

Sutton, R. and Barto, A. Reinforcement Learning: An Introduction. MIT Press, Cambridge, MA. 1998.

Szilas, N., and Cadoz, C. “Physical models that learn”. In the proceedings of the International Conference on Computer Music. Tokyo. 1993.

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Wessel, David. “Instruments That Learn, Refined Controllers, Source Model Loudspeakers”. In Computer Music Journal, Volume 15, Number 4. Winter 1991

Wessel, D., and Wright, M. "Problems and Prospects for Intimate Musical Control of Computers," New Interfaces for Musical Expression proceedings. Seattle, 2001.

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Wilson, Andrew D., “Adaptive Models for the Recognition of Human Gesture” PhD Thesis. Massachusetts Institute of Technology. 2000

Winkler, T. 1995. "Making Motion Musical: Gestural Mapping Strategies for Interactive Computer Music." In Proceedings of the 1995 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 261-264.